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BroadcastStrong: EVS Starters

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EVS IPD Tutorial ;)

Mastering Clip Playout in EVS IP Director: Normal, Loop, and Bounce Modes


In this episode, I will show you how to play clips in three different ways: normal, loop, and bounce mode. It's crucial to know how these three modes work and how to change them, especially during playout. It's all about a small icon in the Control Panel, which changes the play mode. It only takes a single or double click!


https://www.universityoftelevision.com/post/mastering-clip-playout-in-evs-ipdirector-normal-loop-and-bounce-modes

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Mastering Database Explorer: A Key Tool in EVS IPDirector for Replay Operators

Working as an EVS replay operator, crucial skills include organizing work, quick reactions, and the ability to adapt and recover from stressful situations. During productions in the control room or in the OB Van work is very dynamic. EVS operators often need to quickly change the order of playing clips, find materials quickly, or organize clips or playlists.


Database Explorer Interface in EVS IPDirector
Database Explorer Interface in EVS IPDirector

In EVS IPDirector, one of the most useful tools is  Database Explorer. Database Explorer has multiple functions to find, manage materials and clips. It's very easy because everything is visible on the screen within the EVS IPDirector application.


Firstly, an EVS operator can easily find clips using the search box. The search box is similar to using an internet browser like Google. You can find a clip by typing the full name or just part of the name. EVS IPDirector also will filter the clips based on that name. EVS operators can…


Managing Clips Made Incredibly Easy with Database Explorer
Managing Clips Made Incredibly Easy with Database Explorer

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Europe job opening! A VAR Replay operator is needed in Vienna, Austria!

The majority of work will take place on-site at our Remote Center in Vienna, with additional opportunities to work on-site at UEFA, FIFA, and football stadiums with regular travel across Austria and Europe.


https://jobsinfootball.com/job/97293/var-replay-operator-vienna-freelance/

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Nice !

Training session - Warsaw!

Another exciting training session is behind us! This time, in Warsaw, our students on EVS LSM-VIA controllers were responsible for dynamic replays, highlights, and the final clip of the simulated handball game. If you dream of a career in the world of EVS, this course is for you! Contact us ;)




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"🎬 #IPDirectorThursday: How to Use the Gang Tool in EVS IPDirector

Starting three different clips at exactly the same moment? No problem for EVS IPDirector. In this episode, I’ll walk you through how to use the Gang tool to output player channels simultaneously in EVS IPDirector.


Every production brings its own set of challenges and creative ideas. In one recent show, the main producer asked for three separate pictures to playout at the exact same time, perfectly synchronized. Of course, manually starting three clips simultaneously isn’t a realistic option. This is where the Gang tool in EVS IPDirector comes in handy, allowing for seamless synchronization.


Firstly, we have to understand what “GANG” means in the EVS IPDirector. The 'Gang' feature links multiple output player channels into a group and allows for their simultaneous control. When player channels are ganged, any playback, delay, or shuttle command applied to one player channel is executed simultaneously on all the others in the group. For example, if…


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Hi, I have a lot of friends who are EVS replay operators, but only a few know how to work with EVS IPDirector. I'm not sure why this is the case. IPDirector isn't magic; it's actually quite simple and very user-friendly software, especially when working in news television. Below is my text about how IPDirector is used in News TV. Enjoy! 😉



https://www.universityoftelevision.com/post/evs-ip-director-revolutionizing-news-broadcasting


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Apparently evs IpDirector is a rare skill and well paid skill.

"Do you use vMix for replays — or even for live broadcasting and replays together?"



We’re seeing more productions around the world experimenting with vMix as a flexible, budget-conscious option for live shows and sports coverage.


But when it comes to live replays, slow-motion control, and multi-camera switching…

Is vMix really the best choice? Or are there better tools for professional workflows?


I’d love to hear from you:

- Are you using vMix for replays today?


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