In partnership with The London School of English
Worldwide production - During rehearsals, a friend came to me and asked, “Can you help me with the EVS IPDirector?” “Sure,” I said, and took a seat at the workstation, but something felt off. Something was missing. I asked, “Where’s the Shuttle Pad Pro?” He looked at me and said, “That’s the problem.” And honestly? That made everything more difficult than it needed to be.
Today in my EVS IPDirector series I'm going to show you how to significantly improve and simplify your playout management, using the Playlist Panel. It's an incredibly useful tool if you have multiple clips to playout.
https://www.universityoftelevision.com/post/mastering-playout-with-the-evs-ipdirector-playlist-panel
In this episode, I’ll show you how to easily merge playlists in EVS IPDirector. It’s far simpler than in the EVS LSM and EVS LSM VIA, where you need to switch between remote and VGA or use the LSM VIA Viewer. Every EVS operator, especially those in sports or news, needs to know how important merging playlists is.
The work of an EVS IPDirector operator extends beyond simply creating clips and playlists and managing On Air playout. EVS operators are also responsible for tasks like sending files to post-production and verifying the successful export of clips. In this episode I concentrate on the Transfer Monitoring function, a crucial tool within EVS IPDirector that allows you to track where files have been sent correctly from the EVS IPDirector server to another postproduction server.
In this EVS IPDirector episode, let’s focus on the Ret tool. This is one of the most useful functions in EVS IPDirector. This tool is especially valuable for EVS operators who need to quickly navigate to specific moments in recorded media without being restricted by clip boundaries. I will explain what the 'Ret' button is and when and where an EVS operator can use it.
In a TV news environment, the ability to playout a signal with a delay is crucial. In this episode, I’ll show you how to do it easily and smoothly in the Control Panel.
Hi there, let’s focus on the layout and its crucial role in TV broadcasting in EVS IPDirector
https://www.universityoftelevision.com/post/the-power-of-layouts-in-evs-ip-director
Mastering the Control Panel in EVS IP Director: Lock EVS to avoid errors.
An EVS operator is not a robot—mistakes happen, especially in live broadcasting. However, some of the most irrational and frustrating errors occur due to accidental actions.
NEXT, SKIP, DRAG AND DROP, GO TO – Essential Tools to make changes during Playback playlist in EVS IP Director
In today’s episode, I’ll show you how to successfully use crucial functions in the playlist during playback in EVS IP Director. Whether you’re an experienced EVS operator or just
starting out, mastering these tools is essential for smooth playlist management, especially ina TV news environment.
In this episode, I will show you how to play clips in three different ways: normal, loop, and bounce mode. It's crucial to know how these three modes work and how to change them, especially during playout. It's all about a small icon in the Control Panel, which changes the play mode. It only takes a single or double click!
Working as an EVS replay operator, crucial skills include organizing work, quick reactions, and the ability to adapt and recover from stressful situations. During productions in the control room or in the OB Van work is very dynamic. EVS operators often need to quickly change the order of playing clips, find materials quickly, or organize clips or playlists.
In EVS IPDirector, one of the most useful tools is Database Explorer. Database Explorer has multiple functions to find, manage materials and clips. It's very easy because everything is visible on the screen within the EVS IPDirector application.
Firstly, an EVS operator can easily find clips using the search box. The search box is similar to using an internet browser like Google. You can find a clip by typing the full name or just part of the name. EVS IPDirector also will filter the clips based on that name. EVS operators can…
The majority of work will take place on-site at our Remote Center in Vienna, with additional opportunities to work on-site at UEFA, FIFA, and football stadiums with regular travel across Austria and Europe.
https://jobsinfootball.com/job/97293/var-replay-operator-vienna-freelance/
Another exciting training session is behind us! This time, in Warsaw, our students on EVS LSM-VIA controllers were responsible for dynamic replays, highlights, and the final clip of the simulated handball game. If you dream of a career in the world of EVS, this course is for you! Contact us ;)
Starting three different clips at exactly the same moment? No problem for EVS IPDirector. In this episode, I’ll walk you through how to use the Gang tool to output player channels simultaneously in EVS IPDirector.
Every production brings its own set of challenges and creative ideas. In one recent show, the main producer asked for three separate pictures to playout at the exact same time, perfectly synchronized. Of course, manually starting three clips simultaneously isn’t a realistic option. This is where the Gang tool in EVS IPDirector comes in handy, allowing for seamless synchronization.
Firstly, we have to understand what “GANG” means in the EVS IPDirector. The 'Gang' feature links multiple output player channels into a group and allows for their simultaneous control. When player channels are ganged, any playback, delay, or shuttle command applied to one player channel is executed simultaneously on all the others in the group. For example, if…
Hi, I have a lot of friends who are EVS replay operators, but only a few know how to work with EVS IPDirector. I'm not sure why this is the case. IPDirector isn't magic; it's actually quite simple and very user-friendly software, especially when working in news television. Below is my text about how IPDirector is used in News TV. Enjoy! 😉
https://www.universityoftelevision.com/post/evs-ip-director-revolutionizing-news-broadcasting
We’re seeing more productions around the world experimenting with vMix as a flexible, budget-conscious option for live shows and sports coverage.
But when it comes to live replays, slow-motion control, and multi-camera switching…
Is vMix really the best choice? Or are there better tools for professional workflows?
I’d love to hear from you:
- Are you using vMix for replays today?
Nice !