After 10 years of working at TVN Warner Bros. Discovery, I decided to move on. It wasn’t an easy step, but it opened the door to some truly amazing opportunities.

I had the privilege of working on incredible projects, including the FIM SuperEnduro World Championship, Red Bull Target Jumping, U21 Handball World Championship, EuroBasket in Katowice, and the EHF Champions League and many more. 

I’m truly grateful to Piotr Szymborski for the trust, support, and for building the University of Television together. Thank you to Maciej Kowalski and BlackBurstTV for so many great EVS opportunities. Thanks as well to João Barata and MEDIALUSO for the fantastic cooperation during EuroBasket Katowice. Thanks to Daniel Fabrykiewicz, TVN, and Eurosport for the collaboration on ski jumping events.

The next year already looks even more exciting, and I can’t wait for what’s coming next ;)

And how has the year treated you? We’d love to hear about your experiences or any achievements ;)

I just finished EVS LSM-VIA Training Starter Course (Super Basic)...I am super excited about this journey

Fresh Jobs Drop — Broadcast & Live Production (Updated Today)

We’re posting the freshest broadcast jobs we can find — but here’s the truth: job listings are insanely dynamic. A role can be live right now… and gone in a second. If something fits you: move fast. Apply fast. Follow up fast.

1) In-Stadium Replay Operator (RRS)

📍 Boston, Massachusetts, USA — Major League Rugby

Field-side role supporting the Referee Review System (RRS): capture, code, manage live match footage, assist referees, run comms + tracking tools, and keep officiating tech running clean under pressure. Full training + equipment provided.

In live broadcast, the loudest voice in the room is rarely the strongest.

The person who shouts the most, throws offenses at people, and tries to dominate through intimidation is usually showing something else entirely: fragility. A lack of confidence. A fear of losing control.

And in our industry—where control is everything—emotional intelligence isn’t a “soft skill”. It’s the hardest skill there is.

The broadcast industry doesn’t reward ego. It rewards stability.

Outside Broadcast, live studios, control rooms, replay operations, engineering calls, comms chaos… the environment is naturally stressful. The clock doesn’t care about your mood. The director won’t pause the show so you can recover your ego. The camera chain won’t forgive you because you were “having a day.”