Fresh Jobs Drop — Broadcast & Live Production (Updated Today)

We’re posting the freshest broadcast jobs we can find — but here’s the truth: job listings are insanely dynamic. A role can be live right now… and gone in a second. If something fits you: move fast. Apply fast. Follow up fast.

1) In-Stadium Replay Operator (RRS)

📍 Boston, Massachusetts, USA — Major League Rugby

Field-side role supporting the Referee Review System (RRS): capture, code, manage live match footage, assist referees, run comms + tracking tools, and keep officiating tech running clean under pressure. Full training + equipment provided.

In live broadcast, the loudest voice in the room is rarely the strongest.

The person who shouts the most, throws offenses at people, and tries to dominate through intimidation is usually showing something else entirely: fragility. A lack of confidence. A fear of losing control.

And in our industry—where control is everything—emotional intelligence isn’t a “soft skill”. It’s the hardest skill there is.

The broadcast industry doesn’t reward ego. It rewards stability.

Outside Broadcast, live studios, control rooms, replay operations, engineering calls, comms chaos… the environment is naturally stressful. The clock doesn’t care about your mood. The director won’t pause the show so you can recover your ego. The camera chain won’t forgive you because you were “having a day.”

You can live “responsibly” and still live “well.” The art is not confusing saving money with the purpose of life — and sometimes allowing yourself a vanilla-and-cardamom coffee without building an ideology around ordering “half-half.”

That coffee story is a metaphor for everything.

When you keep mixing premium vanilla and cardamom into a plain, watered-down base “so it won’t be too intense” (translation: so it lasts longer), you don’t end up with balance. You end up with a cup of mediocrity. Not bad — just forgettable.

And that’s the real trap: we start diluting the very things that make life feel alive, just to prove we’re being “reasonable.”

The same logic shows up in everyday choices: someone gets an extra 2,000 euros a month and still hears a chorus of “better not,” “too risky,” “take what you’re given.” But the point of growth isn’t to upgrade your fear. It’s to…

EVS Tips & Tricks: Save Seconds, Save the Show — Master Your Default Clip Duration

(This applies not only to EVS, but the same “default duration mindset” translates perfectly to RIEDEL SIMPLY LIVE and other replay systems like GRASS VALLEY K2 DYNO.)

In live replay, time is your most expensive currency. The faster you can create clean, usable clips, the more brainpower you keep for what really matters: storytelling, replay timing, and staying calm when production goes full chaos.

One of the most underrated time-savers is simply this:

Set a 

I remember my first weeks on EVS IPDirector. My mouse hand was constantly flying around clicking through menus, opening panels, trying to keep up. Then one of the senior EVS operators advised me: “Forget the mouse. Learn your shortcuts”. He was right. In this episode I will show you how to modify and use shortcuts in EVS IPDirector. 

https://www.universityoftelevision.com/post/mastering-evs-ipdirector-shortcuts-speed-up-your-workflow

9 years ago — EVS HQ, Liège.

I was sitting there like a kid again, playing with a mini LSM… and honestly, it still feels the same: curiosity, focus, and that “this is the tool” energy.

My very first EVS training in EVS HQ happened 15 years ago.

Time flies — but the commitment stays. That’s the relationship.

If you’re building your EVS skills (or coming back after a break), don’t forget to check our EVS VODs and manuals here:

This is the biggest EVS Job Alert list we’ve ever created.

EVS is hiring across Engineering (C++ / .NET / FPGA / QA / Test Automation / Product), Media Infrastructure, Broadcast Systems, Technical Project Management, Security, Finance, and Robotics (T-Motion) — in multiple countries.

EVS HIRES — and they’re not looking for “CVs”… they’re looking for operators, engineers, builders, and problem-solvers who can perform when the red light is on.

If you want to work in the world of live production, replay, media infrastructure, software, robotics, and broadcast operations — here are the current EVS openings with direct apply links (one click, straight to the job page):

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