Sometimes you play a clip and it keeps running past the OUT point. Before you shout for the engineer, check one simple thing on your EVS LSM controller: PostRoll.

www.universityoftelevision.com

Sometimes you play a clip and it keeps running past the OUT point.Before you shout for the engineer, check one simple thing on your EVS LSM controller: PostRoll.Go to MENU, then press SHIFT + D. When you press SHIFT, you activate the second layer of the A, B, C, D buttons. In this menu, D is assigned to PostRoll, so SHIFT + D toggles PostRoll.If PostRoll is active, pressing SHIFT + D will deactivate it. And suddenly, your clip stops behaving like it has its own plans for the evening.Pro TipAlway

My friend has just published Riedel SimplyLive Production Suite Flex manual, and I’ve only just started reading it.

Honestly, it already looks impressive. If you want to properly learn and understand Riedel SimplyLive, this is definitely something worth checking out. It’s clear, detailed, and created by someone who really knows the system inside out.

https://www.universityoftelevision.com/post/riedel-simplylive-production-suite-flex-manual

This manual is available for free ;)

Work has to be fun. Live broadcast is pressure. Replay is pressure.

One wrong button, one late reaction, one missed moment, and everyone can feel it. But deep inside, you still need to enjoy it. If you want to become a replay operator, you have to find fun in the work.

https://www.universityoftelevision.com/post/working-in-live-broadcast-has-to-be-fun

What a start to the season! Industria Kielce opened the EHF Champions League with a massive 38:27 win over Kolstad!

Behind the scenes, the University of Television provided EVS operators, capturing every key replay and emotion on screen. Together with BlackBurstTV and AZAF Sp. z o.o. we delivered a broadcast worthy of the Champions League. 

And this is only the beginning the season is just heating up!

1. Playback/EVS Operator – NFL

Location: Inglewood, California, USA

Type: Freelance / Seasonal

• Operate EVS IP Director for live sports broadcasts

• Requires 3–5 years' experience, EVS certification, strong football knowledge

• Work in fast-paced, live TV environment (nights, weekends, holidays)

  
  

Sportec Solutions are immediately looking for a

VAR Replay Operator in US, Arlington ;) https://www.glassdoor.com/job-listing/var-replay-operator-soccer-as-a-part-time-sportec-solutions-inc-JV_IC1139951_KO0,41_KE42,63.htm?jl=1009110409359

The majority of work will take place on-site at our Remote Center in Vienna, with additional opportunities to work on-site at UEFA, FIFA, and football stadiums with regular travel across Austria and Europe.

https://jobsinfootball.com/job/97293/var-replay-operator-vienna-freelance/

Another exciting training session is behind us! This time, in Warsaw, our students on EVS LSM-VIA controllers were responsible for dynamic replays, highlights, and the final clip of the simulated handball game. If you dream of a career in the world of EVS, this course is for you! Contact us ;)

Starting three different clips at exactly the same moment? No problem for EVS IPDirector. In this episode, I’ll walk you through how to use the Gang tool to output player channels simultaneously in EVS IPDirector.

Every production brings its own set of challenges and creative ideas. In one recent show, the main producer asked for three separate pictures to playout at the exact same time, perfectly synchronized. Of course, manually starting three clips simultaneously isn’t a realistic option. This is where the Gang tool in EVS IPDirector comes in handy, allowing for seamless synchronization.

Firstly, we have to understand what “GANG” means in the EVS IPDirector. The 'Gang' feature links multiple output player channels into a group and allows for their simultaneous control. When player channels are ganged, any playback, delay, or shuttle command applied to one player channel is executed simultaneously on all the others in the group. For example, if…

EVS VIA: The Platform That Ate Replay (and Is Still Hungry)

Alright, folks, let's talk about the elephant in the (broadcast) room: EVS VIA. If you're working in live production today, you're either using it, about to use it, or you're living under a very large, technologically isolated rock.

EVS VIA isn't just an upgrade; it's a whole new ecosystem. It's like EVS took its classic LSM, gave it a serious makeover, injected it with a healthy dose of "future-proofing," and then said, "Here you go, world. Enjoy your exponentially more complex, yet incredibly powerful, replay experience."

What's the Big Deal?

For those of you who are used to the good ol' XT boxes, VIA can feel a bit like learning a new language. Suddenly, we're talking about IP this, software-defined that, and a user interface that's slicker than a freshly Zambonied ice rink.

But here's the thing: VIA is…

Hi, I have a lot of friends who are EVS replay operators, but only a few know how to work with EVS IPDirector. I'm not sure why this is the case. IPDirector isn't magic; it's actually quite simple and very user-friendly software, especially when working in news television. Below is my text about how IPDirector is used in News TV. Enjoy! 😉

https://www.universityoftelevision.com/post/evs-ip-director-revolutionizing-news-broadcasting

Hello everyone! I'm proud that my teammate and I have set up and correctly configured the EVS server for the football game for public TV ;)