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A few years ago, I read the famous Three-Body Problem novels. They are all about the Dark Forest. If you know what I mean, you will understand this article immediately. If not, unfortunately, you may need to read all three books first. But if you are with me, keep reading. The Dark Forest is a place where everyone is potentially a threat. Everyone can hurt you. Everyone can be an enemy. And the strongest may attack the weakest, just in case. I think we can compare that, at le

EuroBasket 2025 - one of the biggest basketball events of the year. I had the honor of working there as an EVS operator. The workload was intense, and there was enormous pressure to deliver every moment in the best possible way. In this episode, I’ll show you how keywords in EVS IPDirector helped us during the production. Keyword is a simple, powerful word you attach to a video clip. Think of it like a digital sticky note or a label you put on a box. Instead of scrolling for

As the founder of #UTV (University of Television), I’ve learned something very simple over the years: I don’t choose people based on how impressive they look when everything runs smoothly. I choose people based on who they become when everything turns into a total mess. Because live broadcast doesn’t test you in the easy moments. It tests you when the chain reaction hits: the plan changes mid-flight, comms get overloaded, something breaks, time is collapsing, and everyone is

In live broadcast, the loudest voice in the room is rarely the strongest. The person who shouts the most, throws offenses at people, and tries to dominate through intimidation is usually showing something else entirely: fragility. A lack of confidence. A fear of losing control. And in our industry—where control is everything—emotional intelligence isn’t a “soft skill”. It’s the hardest skill there is. The broadcast industry doesn’t reward ego. It rewards stability. Outside Br