In partnership with The London School of English
EVS Multicam “REM” — what those 338h37m really mean (and why it matters)
If you work on EVS in Multicam, you’ve definitely seen REM: xxxhxxm at the top of the screen and heard someone say:
“Cool — we’ve got hundreds of hours left.”
Yes… but that number is often misunderstood.
In this episode, we focus on assigning a Player Channel to the Control Panel in EVS IPDirector. Did you know that the Control Panel is useless without an assigned Player
Channel?
Think of your personal calendar. It's where you schedule meetings, mark important dates, and note down tasks you need to complete in the future. Thanks to it, you don't have to remember everything, and the right reminders pop up at the right time. In EVS IPDirector, this is exactly how the Ingest Scheduler works in broadcasting.
In the fast-paced world of professional sports, particularly association football (soccer), accuracy in officiating has become paramount. Enter the Video Assistant Referee (VAR) system—a technological innovation designed to assist referees in making crucial decisions during live matches. In many cases, VAR involves EVS operators who replay key moments for the referees while simultaneously handling their regular EVS duties. These operators often sit in Outside Broadcast (OB) vans or dedicated positions next to the football pitch, race track, or other venues, ensuring seamless integration with live production. VAR systems have revolutionized how games are officiated and broadcast, minimizing errors while adding a layer of drama and scrutiny to live sports coverage. This article delves into what VAR systems are, their history, functionality, technology, and their broader impact on live broadcasts.
What is VAR?
VAR, or Video Assistant Referee, refers to a team of match officials who review decisions made by the…
Mastering the Control Panel in EVS IP Director: Lock EVS to avoid errors.
An EVS operator is not a robot—mistakes happen, especially in live broadcasting. However, some of the most irrational and frustrating errors occur due to accidental actions.
NEXT, SKIP, DRAG AND DROP, GO TO – Essential Tools to make changes during Playback playlist in EVS IP Director
In today’s episode, I’ll show you how to successfully use crucial functions in the playlist during playback in EVS IP Director. Whether you’re an experienced EVS operator or just
starting out, mastering these tools is essential for smooth playlist management, especially ina TV news environment.
In this episode, I will show you how to play clips in three different ways: normal, loop, and bounce mode. It's crucial to know how these three modes work and how to change them, especially during playout. It's all about a small icon in the Control Panel, which changes the play mode. It only takes a single or double click!
Another exciting training session is behind us! This time, in Warsaw, our students on EVS LSM-VIA controllers were responsible for dynamic replays, highlights, and the final clip of the simulated handball game. If you dream of a career in the world of EVS, this course is for you! Contact us ;)
EVS VIA: The Platform That Ate Replay (and Is Still Hungry)
Alright, folks, let's talk about the elephant in the (broadcast) room: EVS VIA. If you're working in live production today, you're either using it, about to use it, or you're living under a very large, technologically isolated rock.
EVS VIA isn't just an upgrade; it's a whole new ecosystem. It's like EVS took its classic LSM, gave it a serious makeover, injected it with a healthy dose of "future-proofing," and then said, "Here you go, world. Enjoy your exponentially more complex, yet incredibly powerful, replay experience."
What's the Big Deal?
For those of you who are used to the good ol' XT boxes, VIA can feel a bit like learning a new language. Suddenly, we're talking about IP this, software-defined that, and a user interface that's slicker than a freshly Zambonied ice rink.
But here's the thing: VIA is…
