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Riedel SimplyLive: the compact “all-in-one” live production idea that actually makes sense There’s a reason I keep circling back to Riedel SimplyLive when people ask me, “What’s genuinely different in live production right now?” In a world where we usually stack separate boxes for vision mixing, audio, graphics, replay, and (in many environments) VAR, SimplyLive is one of those rare systems that can bring multiple key roles together in a single 4U chassis — without turning th

I took a moment during the SailGP Grand Final in Abu Dhabi and thought: this is not just sport coverage — it’s an industrial-level live production machine running on water, in the air, and across an RF mesh that has to behave like a fiber backbone.   From the spectator side, it looks beautiful: foiling catamarans, perfect framing, dramatic angles, fast cuts. From the broadcast side, it’s almost absurd (in the best possible way): 1) The helicopter isn’t a “nice extra”. It’s a

If you see a popup saying: “There is a conflict between the selected version of Multicam and one of the Multicam version of your servers (Multicam 20.6.35). Please check your server version then go to Configure -> General -> Multicam version to set the right version. Remark: all services must be stopped to change this setting.” it simply means that the Multicam version selected in IPDirector does not match the Multicam version actually running on your XT server(s). Here’s how

If you’ve ever tried to flatten a playlist  or flatten a timeline into a single clip , and then push that flattened clip to another server , you already know the truth: IPDirector can start the process — but XSquare is what makes the workflow real and controllable . This is one of those small setup steps that quietly separates “it should work” from “it works every single time”. Why you’d assign XSquare to IPDirector (the real reason) When you flatten, you’re working across mu

Natural bodybuilding. Zero doping. We ran a single live stream — and the only “supplement” on set was an EVS XT3 (12-channel MAX) server. What came out of it? • 16 hours of live transmission • Hundreds of clips • Dozens of playlists • Non-stop focus — and a lot of fun I’ve put together a new backstage/behind-the-scenes video showing how a TV broadcast like this is actually produced and what an EVS operator really does — from system boot and record-trains, through live clippin

The biggest obstacle in our industry is not the lack of courses. It’s the lack of hands-on practice after the course. You can spend good money on a 3-day EVS training, collect the certificate, post a nice photo on LinkedIn… and still be unable to deliver a clean replay show three weeks later. Why? Because high-pressure live broadcast is muscle memory, not theory. If you don’t touch the buttons right after training, the knowledge fades. In that case, even the best training bec

Hey there, UTV class! We've explored AI's impact on officiating, storytelling, personalized viewing, and even the production process...

Working as an EVS replay operator, crucial skills include organizing work, quick reactions, and the ability to adapt and recover from...

High-level replays from the BLACKBURST SloMo Van brought precision to Bruk-Bet Termalica vs Wisła Kraków—powered by EVS and broadcast-trained engineers.

If you’ve been in a replay truck before, you know the feeling:   That chunky controller, those metal buttons, muscle memory kicking in...

Welcome back to the UOT(University of Television) series, where we delve into the ever-evolving world of Outside Broadcasting (OB). In...

In a world of sleek touchscreens and minimalist interfaces, there's something undeniably comforting about the EVS controller. With its...