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(This applies not only to EVS , but the same “default duration mindset” translates perfectly to RIEDEL SIMPLY LIVE  and other replay systems  like GRASS VALLEY K2 DYNO .) In live replay, time is your most expensive currency. The faster you can create clean, usable clips , the more brainpower you keep for what really matters: storytelling, replay timing, and staying calm when production goes full chaos. One of the most underrated time-savers is simply this: Set a  Default Clip

Handball doesn’t wait — and that’s exactly why EHF Champions League is one of the toughest (and most addictive) environments for an EVS operator. In this sport, if you don’t react in a split second, you’re already late — because the action has already jumped to the other corner of the field. And it’s not just “do a replay.” It’s: replays on demand (instant, clean, timed) packages / highlight builds emotion moments (the stuff the audience actually remembers) and staying razor-

I took a moment during the SailGP Grand Final in Abu Dhabi and thought: this is not just sport coverage — it’s an industrial-level live production machine running on water, in the air, and across an RF mesh that has to behave like a fiber backbone.   From the spectator side, it looks beautiful: foiling catamarans, perfect framing, dramatic angles, fast cuts. From the broadcast side, it’s almost absurd (in the best possible way): 1) The helicopter isn’t a “nice extra”. It’s a